“What is the full address of Bilbo’s house?” asked Rolo, tapping me on the shoulder. We were sat at the back of a tour bus hammering its way along the single-lane highway that cuts down New Zealand’s North Island, and heading towards a rather special location if you’re a big The Lord of The Rings fan. As we got closer and closer to our destination, it was becoming more and more apparent that my travelling companion was just that.
“Easy,” I chimed. “Bag End, Hobbiton.”
“Wrong,” he jibed back, immediately. “The full address is actually: Bag End, Bagshot Row, Hobbiton, West Farthing, The Shire, Middle Earth.”
“Someone’s done their research,” I said, as we passed a sign directing us to the film studios.
“I’ve been looking forward to this more than anything else in New Zealand,” he replied, a coat hanger-wide smile across his face. “I’m a self-proclaimed LOTR nerd.”
This huge fan soon lit up like the sky during a fourth of July fireworks display as our driver pulled off the highway and into the parking lot of the 1250 acre sheep and beef farm where the studio’s reception was located. Peter Jackson, the director of The Lord of the Rings and Hobbit trilogies, discovered the Alexander farm in September 1998 during an aerial search for suitable film sites, and immediately knew that it was the perfect location for the fictional village of Hobbiton. After reaching a contractual agreement with the owners of the land, the Alexander family, site construction began in March 1999. Initially, this involved heavy earth moving machinery provided by the New Zealand Army, who built a 1.5km road into the site and undertook initial set development. Thirty-nine Hobbit holes were then created with untreated timber, ply and polystyrene for use during filming before being deconstructed once it was complete.
Following the success of The Lord of the Rings, Peter Jackson signed with New Line Cinemas to then make a prequel Hobbit trilogy. He went back to the Alexanders and requested use of their farm again for the filming. In the period between these two projects the farm had been restored back to its ordinary use, but that had not stopped keen nerds of the books and films constantly passing by, snooping around, and asking to be shown where Bag End had been located. Therefore, when the set was rebuilt in 2009, it was decided that the structures be made out of permanent materials, including an artificial tree which was made out of steel and silicon. The entire reconstruction process took two years, but the set is now expected to have a life of 100 years and is open all year round as a permanent tourist attraction. We had signed up for one of their tours, and after buying our tickets and getting a quick bite to eat in the café, we were led by our guide, Candice, into the magical world of Hobbiton.
“Filming for the original trilogy commenced in December 1999 and continued for three months,” said Candice, leading us along the hedgerow-lined path which young Bilbo famously ran down shouting, ‘I’m going on an adventure’. “At its peak, four-hundred people were on site, including Sir Ian McKellen (Gandalf), Elijah Wood (Frodo), Sean Astin (Sam), Ian Holm (Bilbo), and Martin Freeman (young Bilbo).”
We gazed in awe at the scenery unfolding in front of us. It genuinely was like we had been transported into a different world. On the surface, Hobbiton is really nothing but a very well kept garden, but the attention to detail of the whole area gave it a mystical air.
“As you may have read in the pamphlet you received alongside your ticket,” continued Candice, “the New Zealand Military was brought in to help construct the original set as volunteers, and they worked painfully hard for nine straight months in order to get it completed in time for filming to commence. For all of their hard work, Peter Jackson offered them each a role in the film as a thank you. Can you guess what characters they played?”
“Orcs,” shouted out Rolo, confident in his answer.
“Correct,” said Candice. “The entire orc army was made up of members of the New Zealand Army. This was good for Peter Jackson in two ways. Firstly, he was able to use locals which, as a born and bred Kiwi himself, he really wanted to do. Secondly, they had all already received combat training as part of their jobs, so there was no need to spend additional time and resources teaching a bunch of extras how to fight properly. There was just one small problem with that, though. The military men, being as they are, took their roles slightly too seriously, and when they were let loose to fight with the cameras rolling they got a little carried away and actually started to punch one another for real. Peter Jackson had to call ‘cut’ before anyone got seriously hurt and a fair few black eyes had to be hidden by the hair and makeup department for later takes.”